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Bandcamp / Buy Bisk, aka Tokyo’s Naohiro Fujikawa, has been chrome-plating chaos for a quarter century, turning out records that are absurd and exhilarating in equal measure. A Bisk song rarely follows a straight line for long: The Japanese producer’s drum programming weaves through knotty thickets of syncopated beats and white-noise bursts, chasing ghosts and dodging potholes. His samples are fragmentary dispatches from far-flung points, and any given musical phrase might shoehorn multiple worlds into wobbly union—free improv with easy listening, kindergarten recess with NASA Mission Control. Beneath each drum hit lies a potential trap door, and his melodies, if that’s what you can call his tangled scraps of electric bass and modal keys, ricochet like pinballs repelled at every turn by shuddering mechanical bumpers. Bisk’s productions give the impression of someone who is both addicted to repetition and allergic to it.

Paul bleyChristian marclayJohn zornEamon tobinYayoi kusamaAphex twinKassem mosseFlying lotusNaohiro fujikawaSub rosaAtom heartFeed me weirdபால் பிளேகிறிஸ்துவர் மார்க்லேஜான் ஜோர்ன்அமோன் டோபின்