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Poetry Today: Victoria Kennefick and Madeleine Wattenberg « Kenyon Review Blog

Poetry Today: Victoria Kennefick and Madeleine Wattenberg « Kenyon Review Blog
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Take your clothes off : Poets reveal their favourite love poems

First thought: Thom Gunn, ‘Thoughts on Unpacking’. ‘I realise,’ he ends, ‘that love is an arranging.’ No sooner thought, I think of another, cracking conclusion: ‘The world might change… Change as our kisses are changing without our thinking.’ And then I think of ‘Breakfast Song’, another Elizabeth Bishop poem we’re lucky to have in print. Of Derek Mahon’s ‘Monochrome’. Of Seamus Heaney’s ‘Skunk’. Even Matt Healy’s ‘Somebody Else’ (as good as Dylan’s ‘Idiot Wind’). ‘To My Wife at Midnight’, Graham’s best. ‘Sleeping alone together,’ he looks at her beside him, asleep in her ‘lonely

What do poets have to say about isolation and quarantine?

Analysis: while pandemic-era poetry uncovers the vulnerabilities of humanity, it also reminds us that disasters do end Indian poet and essayist Arvind Krishna Mehrotra describes his experience of living in the pandemic era as follows. My sense of mortality is keener than ever. In my garden, I look at an unfamiliar sapling and wonder if I would ever find out its name.  Mehrotra s keen sense of mortality and heightened attention to his surroundings also acts as the driving force behind for how many poets are addressing these times. Recent writing from Irish poets has especially focused on the collective experience of the altered reality around us. While sensory information has been an essential source of inspiration for several generations of poets, pandemic-era poets portray the sensory with an exceptional vigilance.

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