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Broadway is dark. London is quiet. But in Australia, it’s showtime By Damien Cave and Michael Paulson New York Times,Updated February 27, 2021, 11:11 p.m. Email to a Friend SYDNEY — The lights were dimmed, the crowd was masked, and plexiglass divided the orchestra. Jemma Rix, draped in royal blue and holding a sanitized scepter as Elsa, emerged to greet the “Frozen” family — her spunky sister, Anna, the dashing Prince Hans and the stoic reindeer Sven — all tested for COVID-19, belting out familiar lines with new meaning. “For the first time in forever,” they sang, “nothing’s in my waaaay!” The crowd erupted in applause, not just for the cast, but for the moment: Actors are back onstage, and audiences are back in seats. At a time when New York and London theaters remain dark, Australia’s stages are (carefully) bright — “Come From Away” and “Harry Potter and the Cursed Child” have reopened in Mel

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