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MusicalAmerica - Free Guide to (Mostly) Free Streams, April 12-19

An die ferne Geliebte, Op. 98, Schumann’s Liederkries, Op. 39, and Beethoven’s Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18. 8 pm ET: Tippet Rise Art Center presents Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun founding member of the Amphion String Quartet performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here.

Independent Venue Week 2021 schedule revealed – Audio Media International

Independent Venue Week 2021 schedule revealed – Audio Media International
audiomediainternational.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from audiomediainternational.com Daily Mail and Mail on Sunday newspapers.

Joe Cutler: Hawaii Hawaii Hawaii, etc

Joe Cutler Trish Clowes ( BRC BRC010   44:20 mins Advertisement Hawaii Hawaii Hawaii (2019), the title track to Joe Cutler’s latest release for NMC, is a resplendent, witty and otherworldly saxophone concerto, expertly performed here by its commissioners – the BBC Concert Orchestra and soloist Trish Clowes. The piece is a loose setting of David Mitchell’s dystopian story ‘An Orison of Sonmi~451’ from the novel Cloud Atlas, charting the awakening of the young protagonist as she realises there might be more to life than working as an enslaved fast-food waitress incentivised by holidaying holograms. The breathy first movement recalls Tōru Takemitsu, while the energetic, game-show conveyor-belt second movement is Gershwinian in its colour. Clowes demonstrates a deep understanding of Cutler’s fascinating musical language throughout – particularly in the sticky, darkly resonant third movement.

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