Awards: ICAD Bells, ADFX Grand Prix (Campaign Films), YDA.
What elements of a script sets one apart from the other and what sort of scripts get you excited to shoot them?
I think when a script makes you feel something upon a first read, it has something special. So many scripts have a “this COULD be great if…”, but when a connection is made on first pass, that sets it apart from me. If a script makes me feel something, I know I’ll want to make it, to bring that feeling to the film and to the viewer.
How do you approach creating a treatment for a spot?