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Lapsis review – sci-fi satire targets the gig economy
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Spotlight Report
Lapsis is a rare pleasure of a film: low budget science fiction that’s well made, thoughtful and funny. Directed by Noah Hutton, with a great, fun performance by Dean Imperial, this is a Kaufman-esque satire that takes a hearty swing at the modern gig economy.
Set in some sort of parallel world, the corporation CBLR offers rewards to cable-runners for laying optical fibre through the woods to facilitate quantum computing. Ray (Imperial) is a working class schlub from Queens who wants to help his brother get treatment for a fatigue disease called Omnia. He takes the orientation course, kits up and goes rambling in the outdoors, way out of his comfort zone, where he competes with other cable-runners, including small robots that threaten to steal his income. Using a dodgily-acquired tracking tablet that seems to be conferring him some wild advantages, he discovers the cruel realities of his new job though fellow runner Anna (Madeleine Wise).
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