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#CG122 Da favela à urbanização: Jardim Aeroporto é prova viva da evolução de Campo Grande

#CG122 Da favela à urbanização: Jardim Aeroporto é prova viva da evolução de Campo Grande
uol.com.br - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from uol.com.br Daily Mail and Mail on Sunday newspapers.

A Banalíssima República

A Banalíssima República
paranashop.com.br - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from paranashop.com.br Daily Mail and Mail on Sunday newspapers.

How a trail in rural Oregon became a target of far-right extremism

How a trail in rural Oregon became a target of far-right extremism
hcn.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from hcn.org Daily Mail and Mail on Sunday newspapers.

A Banalíssima República | Gazeta Digital

A Banalíssima República | Gazeta Digital
gazetadigital.com.br - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gazetadigital.com.br Daily Mail and Mail on Sunday newspapers.

carolesdaughter: I was drawn to extremes… so felt like I never belonged — Kerrang!

carolesdaughter: ​“I was drawn to extremes… so felt like I never belonged” She’s supporting Machine Gun Kelly and inspired by Lil Peep… meet alternative music’s compelling new star, carolesdaughter. Words: James Hickie Thea Taylor aka carolesdaughter, 18, is sober now, but that wasn’t always the case. Thea – pronounced ​‘Tay-ah’ – spent multiple stints in rehab, starting when she was just 13, much to the sadness and chagrin of her parents, who as well as being teachers are Mormons. It was during one of the later bouts of treatment, two years ago, Thea wrote Trailer Trash, her most recent single. Trailer Trash showcases a curious strain of rock-inspired alt.pop. While it’s totally different from previous single Violent, both have sparse arrangements and lo-fi production in common, while featuring words dense with the experiences of a life lived in acceleration (‘

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