A new Studio Ghibli movie is a rare thing – especially since the legendary Japanese animation house closed its doors following the release of 2014’s
How Do You Live?, but his son Goro Miyazaki has directed
Earwig And The Witch, due in UK cinemas from 28 May.
In a break from tradition, this one doesn’t feature the usual Ghibli anime visual style – instead, it’s the studio’s first 3D-animated feature. But there are still plenty of Ghibli hallmarks: for one, it centres on a headstrong young girl (that’s the Earwig of the title, voiced in the UK dub by Taylor Paige Henderson) and her chatty little cat Thomas, voiced by
Shadow and Bone author Leigh Bardugo: People sneer at the things women and girls love | Leigh Bardugo
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Toshio Suzuki, legendario productor del Studio Ghibli: Mi favorita siempre es la película en la que estoy trabajando
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Faeries, elves, centaurs, wizards, dragons. In its purest form, fantasy is one of the most ancient literary genres, and fantastical elements can be found in myths and folktales around the world. It is in fantasy that humankind encapsulated its need for escapism and wonder for the unknown. Despite the fantastical elements in those tales, fantasy in the form we all know differs and is much more recent. It has evolved in a more self-conscious way, encouraging individual interpretations of novelised narratives based in complex worlds. One of the most popular subgenres is what is known as “medieval fantasy” and is recognisable by its influences from the medieval European period, typically from western Europe. These influences include resemblances to western medieval monarchy, feudal system, warfare, and social structure, which are often permeated with a blend of magic and European folklore. But why is this Medieval European setting so common in modern fantasy?
Organiza un maratón de Día del Niño con estas series y películas
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