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This line of nail serums and lacquers acknowledges the diversity of Indian skin
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Text by Sadaf Shaikh
Currently in its third year, the Circular Design Challenge is fast becoming the platform of choice for conscious designers to present sustainable creations that are rooted in the “reduce-reuse-recycle” principles of circular fashion. We speak to this year’s six finalists about their brands and processes
“The fashion industry is a key economic sector and is also one of the biggest polluting industries globally. The United Nations Environment Programme (UNEP) is advocating solutions to advance towards a sustainable and more circular textile value chain through capacity building, knowledge products and policy recommendations,” – Atul Bagai, Head – Country Office UNEP, India.
Mirzapur (2018, 2020) and Criminal Justice (2019, 2020) – all demonstrate the National School of Drama graduate’s philosophy of making the “maximum impact with minimum melodrama”. The 44-year-old Tripathi exudes a quiet confidence and owns any space he steps into; in front of the camera, he often punctuates scenes with silent, emotive pauses, emphasising the dialogue’s subtext.
His well-honed ability to mine the human experience brings an understated intensity to each character. This quality is in part grounded in his humble upbringing in Belsand (a village in Bihar) and his early struggles, which have perhaps also influenced his unpretentious mindset of viewing every casting as an opportunity to fine-tune his craft, regardless of screen time. Take the example of Rudra Bhaiya in
Verve Magazine
(1) We are
25 years old. Started by Anuradha Mahindra in 1995, we turned 18 in December of 2013, in a stellar issue that you can see
here, and our 22nd-anniversary issue is a landmark edition that focusses on what’s dominating many a conversation at the moment, right from sustainability to politics and the search for one’s identity in a digital world.
(2) We are
India’s first and only
home-grown women’s luxury lifestyle monthly. Being a glossy, the emphasis on paper, printing, processing and aesthetics is intrinsic, but what people come back to us for is the quality of content. We’ve been told that we stand out as a reader’s magazine. And that’s not an anomaly for a good-looking glossy.
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