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Michael Chekhov: УAll the world s a stageФ
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Tom Dugan in a rehearsal for Tevye in New York. (Courtesy of The Wallis/ via JTA)
LOS ANGELES (JTA) The last time we saw Tevye the Milkman on Broadway in “Fiddler on the Roof” was in 2016, escaping Anatevka as a pogrom swept the shtetl.
Now, almost five years later, he is resurfacing in a one-man play titled “Tevye in New York,” opening in its world premiere in Beverly Hills, of all places.
It’s the latest radical reimagining of the beloved Sholem Aleichem character, who also saw his “Fiddler” story performed in Yiddish in Joel Grey’s recent off-Broadway production and was the focus of a 2019 documentary. But this time the milkman goes beyond the shtetl to experience life as an American immigrant.
Original Music……………Mike Borgia
Dan Purcell (Lou) is a graduate of the Neighborhood Playhouse School of the Theatre. His past credits include Freddy in the original “Kiss the Fortune Teller”, Darryl in the original “The Statement”, Rick and The Hustler in “Six Degrees of Separation”, multiple roles in “The Death of a Miner”, Charles in “As You Like It”, and the opera “La Traviata”. Dan is immensely thankful for his family s health throughout the pandemic, as well as for the opportunity to return to theatre work.
Elisa Tarquinio (Ringer): Theater for the New City debut. Off-Off Broadway: My Love Was Stolen By a Con Man. Regional: The Bodyguard The Musical, The Wizard of Oz. Select Theatre: The Laramie Project, The Drowsy Chaperone, Sweeney Todd. Select Film: In My Head, Time Out. Thank you to Claude and Jeffrey for this opportunity. Thank you so much to my friends and family for the unconditional love and support. Instagram: @elisatarquinio
It s a strange thing about the coming attractions trailers they show before a movie comes out. Most of them promise more than the movie delivers. Michael Apted s Class Action is an exception; the trailer seems to promise a formula plot - a father and his daughter, both lawyers, on opposing sides in court, trading legal arguments and cliches. The movie is indeed about the father and the daughter, but in ways we didn t anticipate, with surprising intelligence and empathy.
The movie stars Gene Hackman as an aging radical who shaped his politics in the 1950s (he proposed to his wife after spotting her mouthing McCarthy is a weasel in the gallery during the Army-McCarthy hearings). He specializes in defending underdogs and attacking the establishment. His daughter, played by Mary Elizabeth Mastrantonio, is a child of more materialist decades, and wants to become a partner in a big corporate law firm. Father and daughter find themselves on opposing sides in a case involving a giant au
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