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The house that Jane built is filled with mysteries and strange reversals, finds Richard Foster This is a record that works by stealth. It’s possible that you can listen to Jane Weaver’s new LP, Flock, hum along, maybe break into a mild frug now and again whilst doing the dishes, and not suspect anything is wrong with the world. Only now and again do phrases like “smash the patriarchy” float into your consciousness through the gossamer patterns Weaver has created, to remind you that she really does mean business. For some reason Jane Weaver reminds me of the late great Victoria Wood, another dealer in life lessons through stealth and wit. Like Wood, Weaver remains happy to draw up her spells in a space in-between, despite seeming clubbable enough. Too sharp to be part of a pack, Weaver has always set her stall out on the outer reaches of pop’s bonfire. This positioning, whether by luck or judgement, has meant her gaze has never been overly burnt or blinded by the industr

United statesUnited kingdomVictoria woodIthell colquhounPhilip sidneyMarcell jankovicsJane weaverSunset dreamLittle gwyonRevolution of super visionBig houseAll the things you doPyramid schemeGross britanniaBritish lionOchre records