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Comics can be a heartless business. Yesterday s legends get discarded by shortsighted editors and publishers chasing hot fads. Even fans can take the greats for granted. Recently, there was a discussion on Twitter where a clueless fan ridiculed some work done by Herb Trimpe near the end of his tenure at Marvel, in the 1990s. At the time, the hyper-muscular art styles made popular by young guns like Rob Liefeld and Jim Lee were setting the pace for the comics industry, and with comics being the copycat business that it is, editors wanted more of the same. Dependable workhorses like Trimpe either had to adapt their art styles to the current aesthetic or lose work. Trimpe tried to do it with decidedly mixed results. The original post that started the discussion was a cheap shot that was thankfully rebuked by a number of top comics talent, including Evan Dorkin, who thoughtfully explained the impossible situation an artist like Trimpe found himself in during the latter part of his ca

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