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Pride and Prejudice review – bonnets at dawn in a breezy show full of songs and fun
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Oh where, oh where have the annual surveys gone? - Guest columns - McKnight s Long Term Care News
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Sun 27 Jun 2021 06.00 EDT
Mowgli, Baloo, Bagheera â Kipling may have created them but they were disseminated by Disney. Nowadays, Waltâs 1967 animation is more widely known than Rudyardâs stories, written in India during the British Raj. To create a stage adaptation without referencing the film might risk disappointing younger members of an audience. To return to the original, its worldview so other to our own, might risk offending the adults.
Glyn Maxwellâs witty script avoids the first snare by playing on the audienceâs knowledge of the cartoon to draw them into the action. A chorus of young voices eagerly offers prompts when Howard Chadwickâs bumbling Baloo wonders aloud: what might satisfy the basic needs, or essentials, or, even,
Good morning, it’s Wednesday, May 26, 2021. On this date in 1864, in the brief and fraught respite between the gruesome battles at Spotsylvania Courthouse and Cold Harbor, Abraham Lincoln signed a proclamation making Montana a U.S. territory. Statehood would come 25 years earlier.
In the ensuing decades, Montana has stamped itself as a special place in our national consciousness, celebrated in songs, novels, and movies as “the last best place,” a Lincoln-esque description coined in 1983 by naturalist Douglas H. Chadwick.
I’ve been to Montana many times, fished its rivers and streams, patronized its saloons, hiked its mountains, broke bread in that state with old friends and new. But I loved the place before I ever set foot in it, mainly because of its writers.