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How Niki De Saint Phalle Channeled Pain Into Joyful, Vibrant Works Of Art

How Niki De Saint Phalle Channeled Pain Into Joyful, Vibrant Works Of Art
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How Niki De Saint Phalle Channeled Pain Into Joyful, Vibrant Works Of Art

How Niki De Saint Phalle Channeled Pain Into Joyful, Vibrant Works Of Art
capradio.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from capradio.org Daily Mail and Mail on Sunday newspapers.

MoMA PS 1 opens first New York exhibition of Niki de Saint Phalle

MoMA PS 1 opens first New York exhibition of Niki de Saint Phalle Installation view of Niki de Saint Phalle: Structures for Life, on view at MoMA PS1, New York, from March 11 to September 6, 2021. Image courtesy MoMA PS1. Photo: Kyle Knodell. LONG ISLAND CITY, NY .-MoMA PS1 presents the first New York museum exhibition of the work of visionary feminist artist Niki de Saint Phalle (American and French, 1930‒2002). On view from March 11 to September 6, 2021, Niki de Saint Phalle: Structures for Life features over 200 works created from the mid-1960s until the artist’s death, including sculptures, prints, drawings, jewelry, films, and archival materials. Highlighting Saint Phalle’s interdisciplinary approach and engagement with key social and political issues, the exhibition will focus on works that she created to transform environments, individuals, and society.

Klaus Littmann Exposes London Design Biennial Forestation Appropriation

/ Klaus Littmann, the Swiss artist behind the major art intervention ‘For Forest – The Unending Attraction of Nature’ which took place in Klagenfurt, Austria in 2019, has expressed his concern about the similarity of a new project by the British stage designer Es Devlin for the London Design Biennial 2021 titled ‘Forest for Change’.  Imitation is the sincerest form of flattery – Oscar Wilde Littmann started presenting theme-oriented art exhibitions in the public arena around 30 years ago. At the centre of his research lies the interest in everyday culture as well as the dialogue between contemporary Art and historically grown urban spaces. Underlying each of his complex and unique projects is a dichotic tension highlighting the artist’s preoccupation with everyday culture and the confrontation between contemporary Art and urban spaces. ‘Art should, by all means, go to places where people already are – that is to say, in the public realm ‘, he says; When he fi

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