Art That Heals. Photo: Sylvain Thiollier
What can art do to help us? In the midst of a global health crisis, this question becomes even more urgent. While museums remain shuttered in many nations, there is science-backed evidence that seeing or making art can play a crucial role in healing our bodies and minds.
French neuroscientist, musician, and author Pierre Lemarquis has recently published a book on this fascinating subject.
L’art Qui Guérit (translated: Art That Heals) takes the readers on an art tour through the centuries, spanning the Paleolithic period until the end of the 20th century, interpreting works through the lens of their healing powers both for the viewer and the maker. The author weaves together art history, philosophy, and psychology while citing astounding current findings from his field of neuroscience about the healing power of art.
For more than half a century, Alan Bowness was a leading public figure in the art world in Britain, predominantly as writer, lecturer, curator, administrator and philanthropist. He was the first trained art historian to become Director of the Tate Gallery, in London, where he made an invaluable and lasting contribution in the relatively short time that he held the post.
Bowness was born in London in 1928, educated at University College School, London, following which he did his National Service in the Friends’ Ambulance Unit. In 1950 he went up to Downing College, Cambridge, to read modern languages. From 1953 to 1955 he studied French painting under Anthony Blunt at the Courtauld Institute of Art. In 1957 he joined its staff, teaching 19th and 20th-century art. He became, successively, Reader, Professor and, finally, Deputy Director. In his 23 years at the Courtauld he taught a generation of students, many of whom later distinguished themselves in university or museum
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