The Woman’s Century: Evolution or Revolution?
About this event
The Zay Initiative aims to promote an understanding of the evolution of regional culture, building up public awareness and appreciation of this unique heritage, reaching out to like-minded individuals and institutions nationally, regionally and globally. In addition to seasonal or touring exhibitions and museum loans, the collection is accessed through the digital archive (Collection), first of its kind on a regional level, fortified by a pop-up glossary in both Arabic and English. The Zay Initiative aims to empower women regionally and globally by bringing their untold stories to life.
The Five Pillars of the Zay Initiative are: • Collect, document and conserve Arab dress and adornment.• Present and contextualise through a digital archive and blog.• Encourage intercultural dialogue to highlight our shared humanity.• Inspire and educate designers to create for a sustainable future.• Empower women regionally
Dancer Aida Redza s short film captures the semangat of padi thestar.com.my - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestar.com.my Daily Mail and Mail on Sunday newspapers.
Facing torture, a servant girl turns her eyes to the heavens and sings of love.
Her soprano voice swirls high and fills the room as she declares her resolve of unrequited devotion to a prince in disguise.
After her heart-wrenching aria, there is a moment of stunned silence before the audience erupts in applause.
Such was a scene from Puccini’s
Turandot staged at Penang’s Dewan Sri Pinang in 2003.
The opera, followed by
Carmen that was staged the year after, was among the last large-scale performances by the Penang Arts Council (PAC) that brought numerous operas and operettas to Penang.
March 07, 2021
Closed shophouses in George Town, Penang, Malaysia. Strict coronavirus lockdown has left many businesses struggling to survive.
South China Morning Post
It has become a familiar scene on Chulia Street:
Mamak Indian Muslim workers sweat behind face masks as they fill brown paper bags with rice and curry, feeding residents who would prefer not to – and indeed, until a month ago, could not – dine in restaurants.
Chinese uncles and aunties wait behind kerbside stalls for the next rider of a sputtering motorcycle, who will exchange a few ringgit for a plastic bag filled with hot soup and noodles. Behind them hang red Chinese altars covered in ritual ash next to rows of padlocked shophouses that, like closed eyes, seal George Town’s multicultural secrets behind metallic shutters.