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David Lan: In the age of apartheid, theatre resisted

Here s a book written in defiance of the fairytales we tell children

The Daily Vox As an act of restoring power and agency to young black girls in South Africa, BUHLE NGABA wrote a story about a voiceless girl of colour in search of her own sound. For it to be the catalyst that reminds black girls of the power of the sounds trapped inside them. She describes the journey of her book, A Girl Without a Sound to MBALI ZWANE. The book was born out of defiance and as a response to the fairytales we were told as little girls. Stories about white princesses with blue eyes, flowing locks of hair and an overwhelming awareness of their beauty. More than that, I want it to be a healing balm for all who read it. For the black female bodies that are dismissed or violated in a white, patriarchal and racist reality.

Der weiße Löwe - Familienfilm, Das Erste, 24 05 21, 06:00 Uhr - TV Programm

Der weiße Löwe - Familienfilm, Das Erste, 24 05 21, 06:00 Uhr - TV Programm
gong.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gong.de Daily Mail and Mail on Sunday newspapers.

Help keep the spotlights burning: The show must go on f

Earlier this year, Sue Clarence, founder of the Hilton Arts Festival (HAF), received an email from a teacher at Reddam House Umlanga, a school located just outside Durban. The email said the students at Reddam had heard about the fundraiser HAF was holding and wanted to contribute. “These kids want to write their own play and perform it at their school,” Clarence explained, “and all the ticket money that they get, they’re going to give to us.” The students at Reddam, regular attendants of HAF, are more than aware of the special nature of the event. “These kids are already championing the theatre. Nobody needs to teach them that.” Perhaps there are a few lessons to learn from the innovation and passion of the Reddam students.

Play for Today Vol 2

Share with: Thought-provoking, stimulating and in some cases as poignant today as it was then: Vol 2 of BBC’s much acclaimed anthology series brought the works of some of Britain’s best writers and actors to the screen. Six plays (first transmitted between 1972 and 1979) address topics such as the inequality of the British education system, gangland wars, welfare cuts, immigration and miners strikes in rural areas. Disc 1 features two stories written by Tom Clarke – the first one, ‘STOCKER’S COPPER’ (1972, dir, Jack Gold), is based on true events and takes place in Cornwall in 1913. Clay miner Manuel Stocker (Bryan Marshall) works hard day in day out to feed his wife Alice (Jane Lapotaire) and their two children. However, when the going gets really tough Stocker, along with some other miners, decide on an almighty strike for better working conditions, better pay and union recognition. Of course this gets the authorities worried and they dispatch a specially trained squ

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