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Former presidential candidate Andrew Yang has played the role of the goodnatured, slightly clueless frontrunner ever since he entered the NYC mayoral race. Despite gaffes and goofs galore, he has now embraced a new post-embarrassment phase. And he seemed to kick things off by going on the comedian Ziwe s self-titled Showtime show on Sunday evening to uncomfortably answer a few questions about his favorite billionaires, rap songs, and racial stereotypes.
But there was one little thing that really stuck out for New Yorkers: when asked what his favorite subway station is, Yang said it was his local stop.Times Square. It s big, it s cavernous, there are entertainers there, sure, like, what s not to like? he said by way of explanation.
Home > dance > New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatre
New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatre | reviews, news & interviews New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatre
New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatre
Dancers return to the Lincoln Center in Sofia Coppola s quietly moving short film
by Jenny GilbertSaturday, 15 May 2021
Still dark: Anthony Huxley premieres Justin Peck s Solo to an empty house at the Lincoln Centerphoto: Philippe Le Sourd
I’m
David L. Coddon,
and here’s your guide to all things essential in San Diego’s arts and culture this week.
Among the films to be screened during the first-ever San Diego International ShortsFest is
“The Roads Most Traveled,” an emotionally involving 24-minute retrospective of the work of photojournalist Don Bartletti.
Bartletti spent 40 years in a distinguished career that took him from the Vista Press, to the bygone Oceanside Blade-Tribune, to the then-San Diego Union and eventually to the Los Angeles Times, where he would win a Pulitzer Prize for his photojournalism in 2003.
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The focus of “The Roads Most Traveled,” directed by Palomar College’s Bill Wisneski, is Bartletti’s visual documentation of the migration of Central Americans to the U.S. This includes a harrowing and heartbreaking experience riding atop freight cars bound for El Norte with his camera and little else, “an assignment,” Bartletti says in the film, “that change
Seeing her reflection in the bathroom mirror, Jayne Ozanne recoiled in horror.
It was as if she had staggered from a car wreck: her cheeks were ashen, the skin around her eyes horribly red where blood vessels had burst.
But Jayne hadn t survived a terrible crash, she d merely emerged from a therapy session.
Yet while her appointment had taken place in a cosy sitting room, it was a far from gentle experience.
Because for five hours, Jayne a Cambridge graduate with a highflying business career had been writhing and retching as her therapist , a respected faith leader, urged her to literally vomit out her problem .
Only connect: Yearning for the intimacy of a danced, onstage world
The New York City Ballet dancer Russell Janzen near his home in New York, April 28, 2021. Janzen misses the physical and emotional closeness forged onstage, which are lost on Zoom and in socially distanced dancing. Jingyu Lin/The New York Times.
by Russell Janzen
(NYT NEWS SERVICE)
.- When the music begins, we start to dance. Its early April, and for the first time in 13 months Im rehearsing with a partner in the New York City Ballet studios. Ashley Bouder and I bump into each other as we dance side by side. After more than a year of dancing on our own were not used to this sort of closeness.