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Tetzlaff, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review

Tetzlaff, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review
theartsdesk.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartsdesk.com Daily Mail and Mail on Sunday newspapers.

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An unforgettable night in Vienna

The Johann Strauss Society of the Philippines under the leadership of chairman and event chairperson, Monaco Consul General Dr. Fortune Ledesma and president Olga Martel, celebrated its 25th anniversary with a gala concert entitled “Springtime in Vienna” at the Grand Ballroom of Shangri-La The Fort, Manila in Bonifacio Global City, Taguig City, featuring the renowned Philippine Philharmonic Orchestra.

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Only connect: Yearning for the intimacy of a danced, onstage world

Only connect: Yearning for the intimacy of a danced, onstage world The New York City Ballet dancer Russell Janzen near his home in New York, April 28, 2021. Janzen misses the physical and emotional closeness forged onstage, which are lost on Zoom and in socially distanced dancing. Jingyu Lin/The New York Times. by Russell Janzen (NYT NEWS SERVICE) .- When the music begins, we start to dance. It’s early April, and for the first time in 13 months I’m rehearsing with a partner in the New York City Ballet studios. Ashley Bouder and I bump into each other as we dance side by side. After more than a year of dancing on our own we’re not used to this sort of closeness.

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Only Connect: Yearning for the Intimacy of a Danced, Onstage World

Only Connect: Yearning for the Intimacy of a Danced, Onstage World Russell Janzen of City Ballet misses the physical and emotional closeness forged onstage, which are lost working on Zoom and in socially distanced dancing. Russell Janzen, photographed on his rooftop in Brooklyn, rehearsed with a partner for the first time in months in April.Credit.Jingyu Lin for The New York Times By Russell Janzen Published May 5, 2021Updated May 10, 2021 When the music begins, we start to dance. It’s early April, and for the first time in 13 months I’m rehearsing with a partner in the New York City Ballet studios. Ashley Bouder and I bump into each other as we dance side by side. After more than a year of dancing on our own we’re not used to this sort of closeness.

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