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Mortimer & Whitehouse: Gone Christmas Fishing

“Education was the simplest of Steve McQueen’s Small Axe collection and possibly the most effective. McQueen evoked the look and feel of 1970s Britain with smoking headmasters and Roobarb on TV at teatime wonderfully. An eloquent and beautifully performed end to the anthology.” “This capper to an extraordinary run of work is the definition of a small axe, making its point with a tidy economy and focused just on a single oak-felling at hand. I was often reminded of Alan Clarke’s work for television, with its rambunctious bleakness, its wicked black humour.” “The last of McQueen’s Small Axe anthology, inspired by his own childhood, was a deeply affecting look at the way the school system was rigged against black children like him. The film was quietly devastating in its depiction of the shame and helplessness Kingsley felt as he realised he’d been marked out as a failure.”

The Red Shadows review – French thriller is a Euro-posh Line of Duty

Lannick Gautry and Nadia Farès in The Red Shadows. Photograph: Fabien Malot/Channel 4 Imagine if Crossroads had been relocated to the south of France and the cast – Benny, Miss Diane and even Amy Turtle – replaced by impossibly beautiful women and men with abs so defined you could slice baguettes with them. Such is the Gallic hokum that is The Red Shadows (Channel 4). Domaine de Saint-Victoire boasts a hotel, a golf course, glamorous staff and Mediterranean views you don’t get in Selly Oak. It’s so Euro-posh that you expect to see Steve Coogan and Rob Brydon trading Al Pacino impersonations on the terrace.

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