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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   Abraham Bloemart s Moses Striking the Rock, a painting from 1596 now in its collection. The museum said it had investigated and did not find compelling evidence that Curt Glaser had been forced to sell the painting. Metropolitan Museum of Art via The New York Times. by Catherine Hickley (NYT NEWS SERVICE) .- The Nazi authorities removed Curt Glaser from his post as director of the Berlin State Art Library in April 1933 because he was Jewish. He was also evicted from his home and, the following month, sold most of his art collection at two auctions. Since 2007, 13 private collectors or institutions — including the Dutch Restitutions Committee, the Prussian Cultural Heritage Foundation in Berlin, the Museum Ludwig in Cologne and the city of Basel — have concluded that Glaser sold his collection in May 1933 as a result of Nazi persecution, and agreed to either return or pay some compensation to his heirs for art he sold that wound up in th

Damien Hirst s first museum exhibition in France opens at the Fondation Cartier

Damien Hirst s first museum exhibition in France opens at the Fondation Cartier Damien Hirst in his studio, 2019. Photographed by Prudence Cuming Associates. © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. PARIS .- Cherry Blossoms is Damien Hirst’s first museum exhibition in France. The Cherry Blossoms series reinterprets, with playful irony, the traditional subject of landscape painting. Hirst combines thick brushstrokes and elements of gestural painting, referencing both Impressionism and Pointillism, as well as Action Painting. The monumental canvases, which are entirely covered in dense bright colours, envelope the viewer in a vast floral landscape moving between figuration and abstraction. The Cherry Blossoms are at once a subversion and homage to the great artistic movements of the late nineteenth and twentieth centuries. They are integral to the pictorial exploration long carried out by Hirst.

Damien Hirst s New Exhibition in Paris Celebrates Life With Full Force

Damien Hirst s New Exhibition in Paris Celebrates Life With Full Force
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Damien Hirst in Paris: Jetzt ist er ein Maler

Damien Hirst in Paris: Jetzt ist er ein Maler Ihre Suche in FAZ.NET -Aktualisiert am Jetzt rührt er selbst den Farbtopf an: Damien Hirst verzichtete für die Serie auf die Mitarbeit seiner Assistenten. Bild: Damien Hirst and Science Ltd./VG Bild-Kunst, Bonn 2020 Damien Hirst malt jetzt große Bilder vom Werden und Vergehen: Seine „Cherry Blossoms“ sind in der Fondation Cartier in Paris zu sehen. 4 Min. Weitersagen abbrechen Es ist Damien Hirsts erste Museumsschau in Frankreich. Dreißig monumentale Formate der „Cherry Blossoms“, manche als Diptychon und oder Triptychon beieinander, hängen in Jean Nouvels kühlem gläsernen Bau der Fondation Cartier am Boulevard Raspail im Quartier Montparnasse. Die hohen Wände der als White Cube gestalteten weitläufigen Räume sind perfekt für diese Inszenierung; jedes weitere Dekorum würde stören. Draußen wuchern die wilden Pflanzen des vom deutschen Künstler Lothar Baumgarten

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