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Lynch LLP Continues Commitment to Entrepreneurs and Local Startups with UC Riverside s Student Entrepreneurship Programs

Lynch LLP Continues Commitment to Entrepreneurs and Local Startups with UC Riverside s Creat R Lab

Lynch LLP Continues Commitment to Entrepreneurs and Local Startups with UC Riverside s Creat R Lab News Provided By April 20, 2021, 15:00 GMT Share This Article We proudly commit time every month to help young entrepreneurs learn the basics of intellectual property, so they are well-prepared to enter the business world. ” Sean Lynch, Partner SOUTHERN CALIFORNIA, US, April 20, 2021 /EINPresswire.com/ Lynch LLP today announced the firm’s ongoing commitment to Creat’R Lab at University of California Riverside (UCR). “Creat’R Lab is a place where new technologies, scientific curiosity, and entrepreneurship come together across the disciplines,” said Sean Lynch, partner at Lynch LLP. “We are committed to the next generation of entrepreneurs and startups, and we proudly commit time every month to help young entrepreneurs learn the basics of intellectual property, so they are well-prepared to enter the business world.”

Venues still waiting for cash after lobbying victory

POLITICO Get the POLITICO Influence newsletter Email Sign Up By signing up you agree to receive email newsletters or updates from POLITICO and you agree to our privacy policy and terms of service. You can unsubscribe at any time and you can contact us here. This sign-up form is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Presented by Coalition for App Fairness With Daniel Lippman and Zach Warmbrodt VENUES STILL WAITING FOR CASH AFTER LOBBYING VICTORY: When the pandemic hit last year, concert and performing arts venues banded together to form the National Independent Venue Association, which spent months lobbying Congress to help them. They succeeded in December: Congress included a grant program for shuttered venues in the Covid relief.

Music (and crowds) start a comeback beneath the Big Sky

Music (and crowds) start a comeback beneath the Big Sky Anna Paige BILLINGS Glowing blue against the stage lights, fans of Meg Gildehaus beamed with a special kind of delight, childlike almost, as they stood clustered in groups during the musician’s April 3 concert at the Pub Station. The concert was one in a series of socially-distanced performances that began in March. These concerts marked the first time the stage has been used since the pandemic forced the closure of the nation’s live entertainment venues more than a year ago. For Pub Station concerts, fans could purchase tickets in groups of four or six, and they were separated from others by metal fencing set in a U-shape. Such barriers, typically erected at the front of the stage to keep the massive crowds at bay, didn’t seem to matter when, after more than a year, a really loud rock concert was pumping through everyone’s bodies.

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