Latest Breaking News On - சீனா படம் இணை - Page 1 : comparemela.com
China Box Office: Free Guy Slips to Second, Obscured by Cloudy Mountain
lmtonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lmtonline.com Daily Mail and Mail on Sunday newspapers.
Vroom Room | Film | ithaca com
ithaca.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ithaca.com Daily Mail and Mail on Sunday newspapers.
Cliff Walkers Review: Director Zhang Yimou Returns to Form with Sophisticated Spy Thriller
Cliff Walkers Review: Director Zhang Yimou Returns to Form with Sophisticated Spy Thriller
A team of spies are betrayed in 1930s Japanese controlled Northern China.
Hero,
House of Flying Daggers) delves into the spy genre with an exquisitely shot, snowy noir thriller.
Cliff Walkers is a period tale of espionage and betrayal set in 1930s Northern China under Japanese rule. The film is densely plotted with Hitchcockian character twists. The elaborate narrative gets muddied at times. But keeps your attention with stark violence, intriguing reveals, and brilliant technical acumen.
Cliff Walkers Review | Hollywood Reporter
hollywoodreporter.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from hollywoodreporter.com Daily Mail and Mail on Sunday newspapers.
Hi, Mom Review: Rivers of Tears Flow in Appealing Chinese Time-Travel Dramedy Hi, Mom Review: Rivers of Tears Flow in Appealing Chinese Time-Travel Dramedy
The first film by female director Jia Ling is now the second-highest grossing non-English-language feature of all time.
Richard Kuipers, provided by
FacebookTwitterEmail
Director: Jia Ling
With: Jia Ling, Zhang Xiaofei, Shen Teng, Chen He, Liu Jia, Han Yunyun, Du Yuan, Ding Jiali, Wang Lin, He He, Bao Wenjing, Qiao Shan, Jia Wentian (Mandarin dialogue)
Running time: Running time: 128 MIN.
Courtesy Tiger Pictures Int’l
“Hi, Mom” begins as a pleasant enough comic fantasy about a young Chinese woman who time-travels from 2001 to 1981 and becomes friends with her late mother. That’s before it flicks an inspired story-telling switch and turns into a top-notch tearjerker that will have viewers everywhere reaching for the tissues. The deeply personal debut feature by female director, star and co-writer Jia Ling has