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I Consider Myself As A Working Actor With A Normal Life, Says Konkona Sen Sharma
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, one of the four stories featured in Netflix’s Ajeeb Daastaans which talks about Dalit rights and the LGBTQ community. Excerpts from an interview with
Lachmi Deb Roy.
Geeli Puchi
I hadn’t done something like this before. But I have seen some performances and they deeply affected me. In 2016, I watched
Below Her Mouth, a lesbian love story in which an actress called Erika Linder played the butch character. Her performance stayed with me and I think somewhere it really inspired me. Four years later, I got this role and I could really relate to that character. Another film that is very close to my heart is
Amitabha Bhattacharya
Former Bureaucrat
THE birth centenary of Satyajit Ray (1921-1992) is an occasion to reflect on his creative output, mainly in cinema, as also in literature and related art forms. So far, the response has largely been unalloyed admiration in Bengali-speaking areas, and a respectful indifference in the rest of India, except among filmmakers and cinema enthusiasts. In the West, respect for Ray remained undimmed, but acclaim started waning for his later films. All this can be partially explained through the myths and images associated with the Ray phenomenon.
The first myth is that his films deal with poverty, perpetuated by Nargis Dutt’s puerile remark in Parliament in 1980, accusing Ray ‘of distorting India’s image abroad’. Ray’s biographer Andrew Robinson quotes her from an interview, “Ray portrays a region… which is so poor that it does not represent India’s poverty in its true form , that people abroad want to see India in an abject conditio
When the order to keep the mouth shut is issued, then the thought style of the human remains active in the closed mouth | जब मुंह बंद रखने का आदेश जारी होता है तब बंद मुंह में मनुष्य की विचार शैली सक्रिय रहती है
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Jibanananda Das: The Loneliest Poet of the Twentieth Century
In forging a completely personalised poetic diction, Jibanananda Das blazed the trail for modernism in 20th century Indian poetry.
Jibanananda Das. Photo: Unknown artist/Wikimedia Commons, Public Domain
In one of his most celebrated poems, Shakti Chattopadhyay happened to link death to âthe tram tracks of Rashbehariâ. He was thinking of the passing of one of his great literary forebears, the poet Jibanananda Das, whom a speeding tramcar had knocked unconscious on south Kolkataâs Rashbehari Avenue, near the poetâs home, in the evening of October 17, 1954. Jibanananda succumbed to his injuries a few days later. It was, of course, a freak accident, but not everybody believed it was. Indeed, not a few in Kolkata and elsewhere were convinced that it was death by suicide. Here was a poet who, while he had lived, had looked distant and inscrutable to many of his countrymen. In his death, he seemed scarcely l
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