Folderol wrote:
Arpangel wrote:
BigRedX wrote:Analogue recordings were often sped up or slowed down to achieve the desired tempo at the mix down/mastering stage, with the equivalent change in pitch of the music.
Also in the days before the advent of the ubiquitous electronic tuner the tuning reference used in the studio could be whatever was convenient. Often the other instruments would be tuned to whichever instrument was most difficult to change the tuning of and there was no guarantee that it would be A=440.
My first band had two reed organs both of which were tuned differently and neither to A=440. We tuned to the one we used most often, but would retune to the other when we needed to use it because of the chords available or the sound.
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