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Lost treasure from Horace Walpole's Strawberry Hill Collection discovered in Suffolk and set for auction

Lost treasure from Horace Walpole s Strawberry Hill Collection discovered in Suffolk and set for auction The soon-to-be-auctioned work is one of only three known examples of the model, with the other two currently held by The Louvre and the Fitzwilliam Museum. CAMBRIDGE .- A sculpture of an ostrich from the workshop of celebrated Renaissance sculptor, Giambologna, will go under the hammer at Cheffins Fine Sale in Cambridge on 21st April. Having been held in a private collection for over 180 years, and originally purchased from the Horace Walpole collection at Strawberry Hill House, the sculpture is set to sell for between £80,000 -£120,000.

Danziger Gallery opens an exhibition of Risaku Suzuki's "Sakura" or "Cherry Blossom" series

Danziger Gallery opens an exhibition of Risaku Suzuki s Sakura or Cherry Blossom series Installation view. LOS ANGELES, CA .-Danziger Gallery opened an exhibition that had been delayed due to the pandemic. This timely show is Risaku Suzuki’s “Sakura” or “Cherry Blossom” series. The show opened at Danziger at Fetterman in Los Angeles on April 8. One of Japan’s most eminent photographers, Risaku Suzuki has been working for over 30 years capturing the natural world in both an individual and a quintessentially Japanese style. While he has created series on mountains, seas, snow, and Monet’s gardens, he has returned to the subject of cherry blossoms for over 20 years, in a manner that is at once timeless and contemporary. Up to 61 inches in scale, Suzuki’s “Sakura” are more than pretty pictures. Each individual image is a play between sky and flower, positive and negative space, line and form - as well as a contemplation of nature and the preciousness of every mom

Christie's to offer a major Basquiat from 1982 featured in Guggenheim Bilbao retrospective

Breonna Taylor show points art museums to a faster track

Breonna Taylor show points art museums to a faster track Amy Sherald (b. 1973), Breonna Taylor, 2020. Oil on linen 137.2 x 109.2 cm / 54 x 43 inches. © Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Joseph Hyde. by Holland Cotter (NYT NEWS SERVICE) .- People talk a lot about getting back to pre-COVID normal. But our traditional art museums can forget about that. After a year of intense racial-justice reckoning, a paralyzing pandemic and crippling economic shortfalls, aging hidebound institutions are scrambling just to stay afloat. And the only way for them to do so is to change. Strategies for forward motion are needed. One is in play here at the Speed Art Museum, in the form of a quietly passionate show called “Promise, Witness, Remembrance,” which might, with profit, be studied by other institutions in survivalist mode.

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