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After reflected fame, artist Karon Davis steps into her own light

After reflected fame, artist Karon Davis steps into her own light
artdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artdaily.com Daily Mail and Mail on Sunday newspapers.

Pollstar | Australia News: Festivals Return, 5SOS, Six60 & More

Pollstar | Australia News: Festivals Return, 5SOS, Six60 & More
pollstar.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pollstar.com Daily Mail and Mail on Sunday newspapers.

How the Studio Museum in Harlem Transformed the Art World Forever

Type keyword(s) to search Every product on this page was chosen by a Harper s BAZAAR editor. We may earn commission on some of the items you choose to buy. How the Studio Museum in Harlem Transformed the Art World Forever Essay by Salamishah Tillet; Photographs by John Edmonds; Styling by Miguel Enamorado Feb 26, 2021 JOHN EDMONDS Betye Saar. Faith Ringgold. Mickalene Thomas. Julie Mehretu. Simone Leigh. Jordan Casteel. These are only a few of the Black women artists who have recently exhibited in the nation’s largest museums, like the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim, and the Getty. But long before, it was the Studio Museum in Harlem that had the foresight and intuition to show their work, linking these women both to one another and to generations of Black artists, curators, and critics who have helped reshape American art history over the past 50 years.

Lorraine O Grady, Still Cutting Into the Culture – Repeating Islands

Had her life been more conventional, Lorraine O’Grady would have been, that Thursday in June 1980, at Wellesley College for her 25th class reunion. Instead, she was donning a dress hand-stitched from 180 pairs of white gloves accessorized with a tiara, sash and cat-o’-nine-tails and heading to the gallery Just Above Midtown, to carry out a guerrilla-theater intervention. O’Grady, a daughter of Jamaican immigrants in Boston, had a picaresque itinerary already. An economics graduate, she had worked for the Labor and State Departments, including as an intelligence analyst in the period leading up to the Cuban Missile Crisis; attempted a novel in Europe; dropped out of the Iowa Writers’ Workshop; run a translation agency in Chicago; been a New York rock critic. Two marriages, both brief, were over.

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