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SINO-EUROPEAN FORUM | Bridging the Dragon

European Film Market in collaboration with the producers association Bridging the Dragon hosted the 7th Sino-European Forum. The program started with a webinar on documentary in China held by QI Kang, CEO of Brilliantly Studio a branch of iQIYI, one of the local biggest streaming platforms. After the webinar presentation, Han Lina, Senior Manager of the top Chinese TV drama house Perfect World Pictures, analysed the TV & streaming landscape of China. The Forum continued with five roundtables on practical topics for a selection of 75 European producers. The experts were Ma Shuang, Vice President of Hengye Group one of the main distributors in the country;

Hans de Weers • Producer, FATT Productions

Hans de Weers • Producer, FATT Productions “Correctly selecting from everybody’s input is crucial” Hans de Weers, from the Netherlands’ Eyeworks Film & TV Drama, at its 6th Sino-European Project Lab. De Weers’ project, a Dutch-Chinese thriller, was selected for the Project Lab. Have you worked with China before? Hans de Weers: I haven’t worked with China before. However, I have produced a Netflix TV series called Tokyo Trial, together with Japan. I think there are similarities between working with Japan and working with China. They are both outspoken Asian cultures. Actually, interestingly I think working with China could be even slightly easier, because the Chinese market is enormous. There are more opportunities in the market and it is somehow more flexible.

Hans de Weers • Producer, Eyeworks Film & TV Drama

Hans de Weers • Producer, FATT Productions “Correctly selecting from everybody’s input is crucial” Hans de Weers, from the Netherlands’ Eyeworks Film & TV Drama, at its 6th Sino-European Project Lab. De Weers’ project, a Dutch-Chinese thriller, was selected for the Project Lab. Have you worked with China before? Hans de Weers: I haven’t worked with China before. However, I have produced a Netflix TV series called Tokyo Trial, together with Japan. I think there are similarities between working with Japan and working with China. They are both outspoken Asian cultures. Actually, interestingly I think working with China could be even slightly easier, because the Chinese market is enormous. There are more opportunities in the market and it is somehow more flexible.

Virtual Edition of Bridging the Dragon Keeps Alive the Flame of Sino-European Film Production

Virtual Edition of Bridging the Dragon Keeps Alive the Flame of Sino-European Film Production
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