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Last modified on Wed 17 Mar 2021 12.10 EDT Sarah Plays a Werewolf is a film about a small-town high-school drama club. So you may expect a comedy and not just because of that eyebrow-raising title. There’s probably some pretentious posturing, melodramatic offstage shenanigans, a bit of fretting about the big performance and a heartwarming finale. Maybe a few songs, too? But Swiss director Katharina Wyss’s debut feature, which premiered at the Venice film festival in 2017, is supremely serious about theatre and teenage life, both so often jokily dismissed. It starts with a discussion about fear and bravery but we haven’t got to the werewolf bit yet. Instead, the conversation revolves around how a group of young actors feel about devising a piece of theatre together. “Does our way of working disturb you?” asks the teacher, as one student admits she’d really rather be handed a script. Theatre is immediately established as a collaborative process, which contrasts with the p

United kingdomFlorian zellerGeorges batailleKatharina wyssLoane balthasarSarah playsஒன்றுபட்டது கிஂக்டம்புளோரியன் ஜெல்லேர்காதரின விஸ்சாரா ப்லேஸ்