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film profile] to be a proper but overly familiar drama from basketball player-turned-filmmaker (now that s a story I would like to hear) Fred Baillif: a group of girls, no doubt still licking their wounds, are placed in a residential care home. The social workers responsible for their well-being try their best not to cross some imagined line: to get close yet not too close, to build a connection yet one that doesn t promise what it ultimately cannot deliver. The film actually is familiar, in a way, flowing by freely with its hand-held shots and improvised dialogues, but it is also very, very engaging. And once its young protagonists start to talk, their frankness comparable only to Rosario Dawson in

Sara tuluJoyce esther ndayisengaCharlie areddyRosario dawsonFred baillifNicolas philibertAmandine golayKassia da costaBerlinale generationLuna filmsAardvark filmசாரா துலுரொசாரியோ டாசன்நிக்கோலாஸ் பிலிபர்ட்அமண்டின் கோலேகாசியா டா கோஸ்டா