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An Unusual Community Land Trust in Colorado Is Making Its Mark

Denver’s real estate market is pricing out working-class would-be homeowners. Elevation CLT is acquiring properties that will remain within reach of those often overlooked buyers. 

Three New Mexicans to know who are enchanted: Barbara McCrady of University of New Mexico; Beatriz Elena Valencia of Office of Immigrant and Refugee Affairs; and Darryl Lorenzo Wellington, City of Santa Fe

Three New Mexicans to know who are enchanted: Barbara McCrady of University of New Mexico; Beatriz Elena Valencia of Office of Immigrant and Refugee Affairs; and Darryl Lorenzo Wellington, City of Santa Fe
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Carla Gannis’ “The Garden of Emoji Delights” would surely be Bosch-approved. | Courtesy Art Vault Help keep local journalism fighting for you. Donate today to Friends of the Reporter. 12:00 AM With countless cultural institutions struggling to maintain relevance and engagement during the great COVID-19 lockdowns of 2020, the Carl & Marilyn Thoma Foundation did the seemingly impossible in late April, it expanded its public presence in Santa Fe from a small house just off Canyon Road (the aptly dubbed Art House) to a sprawling 3,500-square-foot exhibition space in the Railyard named (540 S Guadalupe St., 428-0681). Already a longtime supporter of arts, artists and those who consume the arts, the foundation’s move couldn’t have come at a better time. With NFTs dominating current arts conversations and museums shifting more toward virtual offerings, Art Vault’s marriage of traditional fine arts, digital works, film, sculpture and all points in between feels both

SFR Digital-ish Picks—Week of May 12

Currents 826 celebrates the light at the end of the tunnel Steel yourselves for a sea of stories from arts outlets about how shows that were in process have been tragically canceled. In better instances, they’ve just been postponed. Then rejoice, because, as pop-punk band MXPX once mused, some things are better late than never. Case in point: CURRENTS826, that ongoing gallery bastion/satellite arm of the annual CURRENTS festival (which is slated for a smaller but no less powerful appearance at the Center for Contemporary Arts this year) has a doozy. Despite postponement during the great lockdown of 2020, its theme is eerily appropriate for the current era of spring/renewal/mass vaxxing.

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