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Jon Tootill: KAHUKURA, BETTER BICULTURALISM - Art Collector Magazine

Jon Tootill: KAHUKURA, BETTER BICULTURALISM May 18 - June 13 Jon Tootill, PIPIWHARAROA II, 2021. Acrylic on linen, 135 x 120cm. Courtesy: the artist and Sanderson Contemporary Art, Auckland. The hero painting for Jon Tootill’s upcoming exhibition at Sanderson Contemporary is a full-spectrum colour study. Piwakawaka (2010-2020) completes a decade-long series that studies the rau, or plumage, of native birds through colour sampling. Tootill’s works act like an index, mapping colours found in nature. He selects colour using Adobe Capture, he processes those samples digitally and arranges them in combinations. Then, he creates delicate watercolours, patient studies that elicit the nuances of nature all over again. The inherent colour irregularities of these works seep into the fibres of absorbent Fabriano paper. Lastly, he scales up into meticulously painted acrylic linen. Throughout the whole process though, he says, “Titling these works indicate the origins of the colour

Kate van der Drift: Sweet and Sour - Art Collector Magazine

Kate van der Drift: Sweet and Sour April 20 - May 16 Kate van der Drift, Waxing Gibbous to Waxing Crescent, October 2020 I, 37°20’33.4”S 175°30’30.5″E, 2020. Chromogenic Photograph from 4×5” Negative, edition of 5 + 1AP, 122 x 98cm. Courtesy: the artist and Sanderson Contemporary, Auckland. Kate van der Drift‘s new exhibition Sweet and Sour is a continuation of the artist’s exploration into the fragile ecology and transformation of the Hauraki Plains. Due to colonisation and industrialisation, the Hauraki Plains have been entirely transformed from forested low-lying wetland to a drained and intensively cultivated landscape with an uncertain future. The artist’s investigation into the topography of the Hauraki Plains had originally manifested itself into the imagery of the physical farmland and the Piako River in van der Drift’s prior series of photographs. Currently,

Alan Ibell: Ascendants - Art Collector Magazine

Alan Ibell: Ascendants April 20 - May 16 Alan Ibell, Landscape with Three Ascendants II, 2021. Acrylic on canvas, 66 x 84.5cm (framed). Courtesy: the artist and Sanderson Contemporary, Auckland.   In Alan Ibell’s new exhibition, the exterior world of landscape and built environment suggests a correlation with the interior worlds of the figures that inhabit it. The looming mountains of the Landscape with Ascendants works invoke a sense of agoraphobia while the brick walls of the Home paintings impose contrasting claustrophobia, sensations in which the viewer is invited to share as they occupy the space of the gallery itself. The Landscape with Ascendants painting is hung on the gallery walls slightly higher than is conventional, forcing the viewer to share the figures’ diminished position, while the skewed perspective of the

Jhana Millers adds Claudia Kogachi to its stable - Art Collector Magazine

Jhana Millers adds Claudia Kogachi to its stable The Wellington-based gallery announces representation of the young artist Words: Rose of Sharon Leake Wellington’s Jhana Millers gallery announced its latest representation: mixed media artist Claudia Kogachi. At just 25 Kogachi has made a mark on the New Zealand art scene with her painting and textile works which lean into the personal dynamics of family and relationships. “Claudia’s works exude humour and personality,” says Jhana Millers. “Through her paintings and rugs she invites us into her private life: she depicts her hobbies, her relationships, her anxieties – she is not afraid to share her vulnerabilities with us. The cartoon nature of the works and flat surfaces convey exactly the right amount of information, not too little and not too much. I believe she is a young artist with a long and successful future ahead of her.”

Kāryn Taylor: An Implicate Order - Art Collector Magazine

Kāryn Taylor: An Implicate Order - Art Collector Magazine
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