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Conductor Jane Glover awarded damehood in 2021 New Year s Honours

December 31, 2020 at 9:11 am Conductor Jane Glover has been made a dame in the 2021 New Year’s Honours for services to music, alongside the Birmingham Opera Company’s founder and artistic director Graham Vick, who has been knighted. Advertisement Glover is one of the UK’s leading conductors and musicologists, having previously held the role of music director of both the London Mozart Players and Glyndebourne Touring Opera. In 2013, she became the third woman ever to conduct at the New York’s Metropolitan Opera, in a production of Mozart’s The Magic Flute. Earlier this year, she was  female conductors to the stage. As a music professor and educator, she has previously held positions as director of opera at the Royal Academy of Music and visiting professor of opera at the University of Oxford. She has been a Commander of the British Empire (CBE) since the 2003 New Year’s Honours.

Grange Park Opera s Wasfi Kani awarded CBE

Grange Park Opera s Wasfi Kani awarded CBE Wasfi Kani, CBE © Richard Lewisohn. WEST HORSLEY .- Wasfi Kani, CEO / Founder of Grange Park Opera, Surrey, has been awarded a CBE (Commander of the Order of the British Empire) in the 2021 New Year Honours list, for services to music. The New Year Honours lists recognise the achievements and service of people across the UK, from all walks of life. Along with the Queen’s Birthday Honours, they are the most significant announcements of civilian and military gallantry awards. With live theatre performances in summer 2020 severely restricted by Covid-19, Grange Park Opera – and its indomitable CEO Wasfi Kani – were never going to let that stand in their way. The company engaged 157 artists for their Found and Interim seasons in 50 new online, free to view events with 22 hours of entirely new material. These events include FOUR staged operas - all lesser-known pieces - and concerts both indoors and outdoors. Payments were made to 146

Renowned opera singer Claire Rutter to perform in Winchester for Naomi House

Claire Rutter. Image: Joseph Sinclair WORLD-renowned opera singer announces a series of Christmas concerts in Winchester, to raise funds for the the city s hospice Local resident and world-famous soprano Claire Rutter has announced a series of Christmas concerts, which will take place on December 18 and 20 at St Paul’s Church, to raise funds for the Winchester Hospice, who are currently attempting to reach their fundraising target in order to open in 2021. Claire, who was in dress rehearsals for the critically acclaimed Rusalka at English National Opera, London, when lockdown started in March, has seen her entire year’s work disappear due to the pandemic.

From Sophie Ellis Bextor to the National Gallery – who were the cultural heroes of 2020?

From left: Kiri Pritchard-McLean, Sophie Ellis-Bextor, Lawrence Power Credit: Kayla Wren/Jack Liebeck/Avalon.Red In a disastrous year for the arts which saw venues close and many lose their livelihoods overnight, some individuals and organisations showed bravery, initiative and good old blitz spirit to try to keep the party going. Here are seven who brightened up 2020. Pop: Sophie Ellis-Bextor By hanging a glitterball and tinsel curtain in the open plan kitchen of her home in west London, underemployed pop star Sophie Ellis-Bextor became a beacon of national joy. Every Friday through the darkest hours of the pandemic, the 41-year-old mother-of-five staged an ebullient, cheerfully chaotic Kitchen Disco, filmed on an iPhone and streamed live on Instagram.

Owen Wingrave, Grange Park Opera, review: Benjamin Britten s grotesques play happily in suburbia

Owen Wingrave, Grange Park Opera, review: Benjamin Britten’s grotesques play happily in suburbia The i 12/15/2020 Rachel Bayne © Provided by The i Owen Wingrave has been updated to 21st-century Surrey Owen Wingrave has always been a bit of a problem. Benjamin Britten’s 1971 opera is a slightly queasy blend of political drum-beating and personal chest-beating – a pacifist manifesto draped around a ghost story that cannot support its weight. That it also features some of Britten’s most seductive orchestral colouring and insinuating melody-fragments, his most dazzling structural games, only adds to its frustrations. The forbidding country estate of Paramore is as central to Henry James’s story of “the fighting Wingraves” as the ambiguous Bly is to

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