Former reporter Cameron Price launches personalised news platform mumbrella.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mumbrella.com.au Daily Mail and Mail on Sunday newspapers.
Publishing date: Jul 29, 2021 • 4 hours ago • 1 minute read • Take Two Theatre s vice-president Nate Elliott, from left, with theatre members Gord King, Cameron Price and Alicia Skinner joined Downtown Timmins Business Improvement Association s special project assistant Emma Laiho in providing children s entertainment at the Urban Park on Wednesday. RICHA BHOSALE/The Daily Press jpg, TD
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Take Two Theatre’s vice-president Nate Elliott, from left, with theatre members Gord King, Cameron Price and Alicia Skinner joined Downtown Timmins Business Improvement Association’s special project assistant Emma Laiho in providing children’s entertainment at the Urban Park on Wednesday.
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Mullet Toss 2021: Fish fly at the Flora-Bama despite threat of storms
Updated Apr 24, 2021;
“Thirty-nine feet, nine inches,” called out Mullet Toss Master of Ceremonies “Doc” Wallach on Saturday morning. “I’m impressed.”
Wallach has been calling the shots at the Flora-Bama’s Interstate Mullet Toss for 12 years or so, and it takes a lot to impress him. He’s seen a few things, to put it mildly. In this case, it certainly wasn’t the sheer distance of Kerry Havranek’s toss that struck him: It was the fact that she’d done it with her daughter Charlotte strapped into the infant carrier she wore.
As those names of
Basilica’s founding influences suggest, their music incorporates a range of genre styles, even more so on the new album than on their earlier releases. And their songwriting prowess has also taken a big step forward, as “
Starve” vividly demonstrates.
The song barely escapes the three-minute mark, but
Basilica pack a lot into its concise duration, including one especially surprising sequence. There are riffs galore, from big bone-bruising chugs to blaring chords, from jittery tension-builders to slashing thrashers and vicious seething sensations. Intertwined with all those adrenaline-fueling changes are doses of jaw-breaking groove and spurts of squealing string torture. It’s all anchored by a gut-punching, neck-wrecking drum performance, and given added heat by howling hardcore vocals and belly-deep bellowing. The surprise (which we’re about to spoil) is an otherworldly, mesmerizing guitar instrumental accompanied by a funky bass line and head-movin