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The latest Poetry Review: a bark from the big chair – The Poetry Society
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Poeming in the rain: Paul Muldoon goes behind the poem – The Poetry Society
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Location: Chicago, Illinois.
Education: MA in history, University of Chicago, Chicago, Illinois; BA in history, Johns Hopkins University, Baltimore, Maryland.
Career path: My path has been complicated. In a nutshell, during my time as a graduate student in a Ph.D. program to become an academic historian, I realized that I was in the wrong career path and later came to illustration in a circuitous manner. In retrospect, it’s easy to see that illustration was always my true passion, but I didn’t have this bird’s-eye view when I was making these big life decisions.
Cultural influences: I’ve been inspired by the beauty of the textures and materials that were so central to traditional airbrush art of the ’70s and ’80s. I love creating a clear mood through color, texture and lighting to help viewers travel to a different time or place. I also try to cultivate an irreverence for the expected and a playfulness in everything I do.
Thereâs an old saying thatâs particularly prevalent among musicians in the Latin American underground: âNo one is a prophet in oneâs own country.â Itâs an expression of frustration youâll hear from artists across a wide range of genres, but it crops up most often in experimental circles. Countless electronic acts across the region have grown to a place where they are now telling their stories on the global stageâjust look at how labels like NAAFI and ZZK have influenced and redefined Latin identity in dance music. But despite conquering dancefloors and winning over critics all over the world, even these artists struggle with tricky industry dynamics at home. Experimental electronic musicians have access to an even
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A full English, Doritos and a flying White House: Julia Dufossé talks us through her trippy airbrush illustrations
The Chicago-based illustrator quit her doctorate in history in 2019 – a bold move that’s amounted to a portfolio filled with work for The New York Times, Bon Appétit Magazine and The MIT Technology Review.
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In one of Julia Dufossé’s illustrations, you’ll see a greasy breakfast; a sausage, some bacon, an egg, a few mushrooms and tomatoes – your typical offering of a tasty fry-up placed atop of a chequered table cloth. Another depicts The White House flying above the clouds, served hot on a silver platter; another sees an exploding bag of cheesy Doritos let loose in space; and another centres a switched off television reminiscent of a rainy, boring day. Everything this Chicago-based illustrator creates seems familiar at first, but then, like magic, she gives it all a sprinkling of her signature 1980s plush aesthetic. The result is a tri
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