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your inspirations?
Frida Kempff: I very much agree. Quite early on, I thought a lot about Polanski and his âApartment Trilogyâ:
Repulsion,
Rosemaryâs Baby and
The Tenant. They all offer claustrophobic locations and senses of alienation that are very interesting. I was also inspired by my own childhood, growing up with a mother who was a welfare officer at school. At home, the phone would ring constantly, and thereâd be young girls who were in a bad way or were abused, and I remember them and how my mother engaged with them and their situation. There are also a few sprinkles of David Lynch here and there in the mix. Take all that and put it through a female point of view â thatâs my working method here.