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IU Gifted $1 6M to Endow Korean Studies Professorship
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9780262014946: Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art (The MIT Press) - AbeBooks
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Launch of interdisciplinary projects embody ‘creativity and resilience’ of UChicago faculty
The University of Chicago has long championed collaborative research as a promising strategy for addressing complex questions. When the COVID-19 pandemic hit last year, it was not clear how this form of inquiry might need to adapt. What new strategies would humanistic scholars adopt to share, develop and test new ideas online? What empirical data would social scientists be able to gather, and what insights could they glean from fieldwork dramatically constrained by new public health guidelines preventing close physical contact?
The challenges for scholars pursuing humanistic research collaborations at this moment are significant. But the 2021–22 cycle of research projects at the Neubauer Collegium are a clear sign that UChicago faculty remain committed to collaborative modes of inquiry and creative in their approach to pursuing excellence in research.
“Intoxicating Shanghai”: Art and Literature in Pictorial Magazines during Shanghai’s Jazz Age
Dr Paul Bevan (Departmental Lecturer in Modern Chinese Literature and Culture, University of Oxford)
Date: 3 March 2021
In
Intoxicating Shanghai Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in the medium of the pictorial magazine. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dancehall culture, with a specific emphasis on 1934 – The Year of the Magazine.
Examining How K-pop Helps Drive Korea’s Global Growth
K-pop groups are now firmly entrenched in the global zeitgeist and accustomed to amassing huge numbers of views on YouTube and selling out concert venues on extensive worldwide tours.
But it wasn’t always this way, and it took a blend of government backing, creative serendipity and a well-placed diaspora over the decades to turn this trickle of cultural exports into what has become a bona fide “Korean wave”
Hallyu in Korean spilling over into other sectors where firms from the dynamic market economy have become global leaders.
That’s the assessment of an expert panel convened in Atlanta by the
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