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Oxygene, la bande annonce du film d Alexandre Aja avec Melanie Laurent
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Alexandre Aja, une bouffée d oxygène
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During the 1800s, when Edgar Allan Poe wrote The Premature Burial, vivisepulture â or live burial â was a very real and common concern. There were, in Poeâs lifetime, many instances of contorted skeletons discovered in coffins and physicians who, lacking credentials, pronounced comatose or unconscious patients dead. Coffins, accordingly, were sometimes fitted with bells and pipes, lest the occupant wake up, a strategy that became increasingly popular thanks to the Victorian campaigners of the Society for the Prevention of People Being Buried Alive.
Poe would revisit the theme of taphophobia â the fear of being buried alive â in the short stories Berenice, The Cask of Amontillado, and The Fall of the House of Usher, tales that were later and variously adapted for the screen by Erich von Stroheim, Jan Å vankmajer and Roger Corman.
The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in May
Our streaming picks for May, including ‘Puberty Blues,’ ‘RuPaul’s Drag Race: Down Under’ and ‘The Underground Railroad’
‘The Woman in the Window’Credit.Netflix
By Noel Murray
May 4, 2021, 12:19 a.m. ET
Every month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for May.
‘The Sons of Sam: A Descent Into Darkness’
In the late 1970s, New York was terrorized by a serial killer who dubbed himself “the Son of Sam,” later revealed to be David Berkowitz an emotionally disturbed man who had dabbled in the occult and claimed he heard voices. The investigative reporter Maury Terry didn’t fully accept the story that Berkowitz acted alone, and in this four-part docu-series, the director Joshua Zeman looks back at what Terry (voiced by Paul Giamatti) uncovered during his years of researching the case. “The Sons of Sam”
5/12/2021
Mélanie Laurent plays an amnesiac who wakes up in a cryogenic pod with a countdown on her life in Alexandre Aja s lean Netflix sci-fi survival thriller.
Since the shock and gore of his 2003 breakout
High Tension ushered him into the Splat Pack, Alexandre Aja has taken an entertaining detour with rip-roaring excursions into creature horror, in the self-explanatory
Piranha 3D and the gators-in-a-hurricane disaster movie,
Crawl. The French genre specialist abandons that gleefully schlocky B-movie throwback spirit but not the taut storytelling skills in
Oxygen, a claustrophobic sci-fi thriller driven by Mélanie Laurent s gripping performance. She plays a woman who undergoes unscheduled cryogenic reanimation in a snug unit, with the clock running out on her life as she struggles to figure out who she is and how she got there.
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