Last year brought RPG gems like Disco Elysium. Was there an RPG as good released in 2020? We ve updated our list of the best RPGs of all time to reflect the best of the past year - and there s still dozens of older classics, too.
As always, we ve taken a broad view of the genre rather than splitting hairs over how many upgradeable stats a game must contain before it qualifies. Whether you want Japanese RPGs, party-based dungeon crawlers, turn-based combat or frantic brawling, you ll find something below. The main rule is that the game needs to still be fun to play today, and not simply groundbreaking when first released.
The comic book serves as the follow-up to Henderson and Garbett’s
Skyward, which was nominated for the Eisner Award. Sony Pictures acquired the rights to Skyward in 2018 with Brad Peyton (
San Andreas,
Rampage) attached to direct. Skyward is set in a world where the Earth has lost a fraction of its gravity. Fast forward 20 years into the future, our society has accustomed their lifestyles around the gravity situation. Among these people is Willa Fowler who was born after “G-Day”, who has uncovered a plot to restore gravity to its normal state. You can pick up the first issue from Image Comics here!
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Todd Rundgren’s virtual ‘tour’ is what we’d expect from him, and it’s coming to Dallas
The singer, producer and tech pioneer tailors his shows to specific cities. Dallas is up soon.
Todd Rundgren s current virtual tour is no surprise, given his inventive track-record.(Lynn Goldsmith)
“I Saw the Light” isn’t just the title of one of Todd Rundgren’s biggest hits. It’s the perfect catchphrase for a 50-year career built on bold ideas, the latest being an all-virtual “tour” that includes a Dallas show on March 7.
On Feb. 14 the 72-year-old singer, producer and tech pioneer launched the 25-show Clearly Human tour, with each gig “geo-fenced” and tailored to a different city, including images of local landmarks in the stage backdrop. Performing from a private venue in Chicago, Rundgren and his 10-piece band have been mixing hits like “Hello It’s Me” and “Can We Still Be Friends” with songs from 1989′s
From executive producer J.H. Wyman (
Fringe, Almost Human) comes a high concept science-fiction mystery drama about two agents chasing after alien space-craft debris and witnessing the effects it has on those whom come into contact with it.
When I read the script back in last February, I knew to some degree I would be getting a show much like
Fringe back, filled with supernatural phenomenon, featuring the occasional horror, but not without meaningful metaphysical constructs. It was one of my favorite pilot scripts out of the handful I was willing to read. My only concern was that it was stuffed to the gills and extremely ambitious.