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Artsday / Ellis performs in princes in the tower opera

HELEN MUSA’s latest arts news – today’s “Artsday” column. NEWS is in from long-time member of Canberra’s Griffyn Ensemble, soprano Susan Ellis, that she’ll be performing in Alexander Voltz’s new chamber opera, “Edward And Richard” at St Rita’s College, Brisbane, on June 29-30. The work is based on the story of the young princes in the tower, the ones Richard III is supposed to have murdered. Ellis will perform the role of the boys’ mother Elizabeth Woodville, a role written for her.  FOUNDER of the National Capital Art Prize, Robert Stephens, urges artists to submit entries before the closing date this Thursday, July 1. Entry is open to Australian citizens or permanent residents of Australia over 18 years of age, who can each submit up to four paintings. Finalists will be announced on August 2 then displayed in a public exhibition in Canberra from September 18. With a prize pool of more than $45,000, the two top prizes are worth $15,000 each. Entries here.

Aberdeen Artists Society virtual exhibition prize winners revealed

Aberdeen Artists Society virtual exhibition prize winners revealed
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More than 300 entries submitted for Aberdeen Artists Society virtual exhibition

May Theater Spring Cleans its Sound with L-Acoustics Kiva II

May Theater Spring Cleans its Sound with L-Acoustics Kiva II Japan – The May Theater, also known as the Suita City Cultural Hall, in Osaka is a venerable performing centre that has been on the Sound Engineers & Artists Society of Japan’s list of the Top 100 Best Halls by Acousticians, since it was opened in 1985. The cultural centre includes a 1,400-seat large performance hall, a medium sized hall, a reception hall and an exhibition space. The multi-faceted venue hosts concerts, operas and classical Japanese theatre, as well as social gatherings and art exhibitions. In July 2019, the May Theater began a thorough renovation project, including an update to the point source sound system in the large performance hall, which was well over 20 years old. “The previous point source speakers were placed inside a speaker box, which made it impossible to deliver uniform sound quality throughout the auditorium, explains Satoshi Tanio, sound engineer at May Theater.

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