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NZ On Air backs new Kiwi drama, comedy and children s programming | News
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Short film festival to showcase South West Asian and North African filmmakers
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Reisa sampaikan edukasi hingga efikasi vaksin di Hari Anak Nasional
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KOLOA, Kauai This winter’s candlelight vigils and banner-waving protesters are gone, their legal challenges exhausted. Soon, bulldozers could roll past Koloa’s wooden sidewalks, clucking chickens and stop sign plastered with a “Die Developers Die” bumper sticker, ready to transform a ragtag grove of monkeypod trees into a shopping center.
KOLOA, Kauai This winter’s candlelight vigils and banner-waving protesters are gone, their legal challenges exhausted. Soon, bulldozers could roll past Koloa’s wooden sidewalks, clucking chickens and stop sign plastered with a “Die Developers Die” bumper sticker, ready to transform a ragtag grove of monkeypod trees into a shopping center.
Die ersten Kontakte zu einem indigenen Volk knüpfte Salgado bereits Mitte der Achtzigerjahre. Der Fotograf war mit der Erwartung zu den Yanomami gefahren, dort Fremde zu treffen. Doch schnell überwog das Gemeinsame, das Menschliche. „Die Emotionen, die wir teilten – zu lieben, zu lachen, zu weinen, glücklich oder wütend zu sein –, waren unsere gemeinsame Sprache“, schreibt Salgado im Vorwort des vier Kilogramm schweren Folianten. Was hat ihn an den Amazonas geführt? Es sei ihm darum gegangen, „die unvergleichliche Schönheit dieser riesigen Region noch einmal zu genießen“. XUFKACWRURH4ZCWHTYJ6XAXHOU Quelle: Sebastião SALGADO / Amazonas images