Bridget Riley, Measure for Measure 49 (2020). Photo courtesy David Zwirner.
It’s hard to think of an artist whose work is more visually pleasing than that of British artist Bridget Riley. The Op Art painter is known for her eye-catching canvases featuring geometric patterns, lines, and color arrangements that collectively pay homage to her favorite artist, the Pointillist Georges Seurat.
“The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift,” she once said of her work. “One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.”
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We caught up with the humanitarian philanthropist and former actor for the inaugural London Gallery Weekend.
June 4, 2021
Bianca Jagger in “Robert Rauschenberg: Night Shades and Phantoms” at Thaddaeus Ropac. Photo by Eva Herzog. Courtesy Thaddaeus Ropac.
She was dazzling.
With sparkling earrings and a silky polka-dot ensemble, Bianca Jagger, who I met on the occasion of London Gallery Week, struck me as possibly the only person who could spark envy from behind a face mask, protective shield, and medical gloves.
But when I complimented her sartorial choice, she leaned in conspiratorially with an arched eyebrow and told me: “They’re just pyjamas from H&M!”