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April 1, 2021 | By Clive Paget,
Musical America
It looked set to be a gala year for Miles Mykkanen. The 29-year-old tenor made his Metropolitan Opera debut as Second Apprentice in the company’s new production of
Wozzeck, but when the run ended on January 22, 2020, lockdown was less than two months away.
I’d seen him twice previously, as a fabulously funny Flute in Robert Carson’s
A Midsummer Night’s Dream at Opera Philadelphia in 2019 and singing Jonathan Dove’s
The End at the Marlboro Festival, the last of three summers he spent in Vermont making music with the likes of Mitsuko Uchida and Jonathan Biss. His clear, penetrating, lyric tenor comes with a winning stage presence, great comic timing, and a real way with words. Mykkanen’s is the kind of voice, you sense, that could develop in all sorts of interesting directions. Like a Wunderlich or a Gedda, he should flourish across a range of repertoire.
Tenure-Track Assistant Professor of Music - Vocal Coach - Lawrence University of Wisconsin
This is a Permanent, Full-time position.
Category: College/University
State/Province: Appleton, WI
Deadline: March 31, 2021
RESPONSIBILITIES
Coach voice students on operatic, recital, and audition repertoire; prepare students musically for the opera productions, including student rehearsal pianists; teach classes in diction and vocal literature, depending on background, interest, and experience. Additional responsibilities include teaching in Lawrence’s flagship First Year Studies program and all service-related activities associated with a tenure-track position including student advising, participation in committee assignments, and other forms of institutional service. Must contribute to our institutional commitment to become a truly antiracist conservatory.
Imagine you are a young singer, hoping for a career in opera and you ve worked hard enough, been good enough and had enough stamina to reach the finalist stage of a competition where you ll be performing before a theater jammed with opera lovers.
But now instead of facing a live audience at your big moment, you are instead greeted with facsimiles of people: 2D cardboard cutouts filling the seats as you sing two arias in the course of the evening before a panel of judges. The rewards are still the same recognition, prize money, possible accepted into a respected training program but the ambience, well it ll be a bit different.
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