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Christie s anounces A Parisian pied-à-terre curated by Hubert de Givenchy

Christie s anounces A Parisian pied-à-terre curated by Hubert de Givenchy This cross-category collection of nearly 270 lots includes masterpieces by the greatest Parisian cabinetmakers of the 18th century, combined with major artists of the 20th century, such as François-Xavier and Claude Lalanne. © Christie s Images Ltd 2021. PARIS .- On 14 September, Christie s will host the collection sale of a major international collector which was assembled over many years under the direction and curation of Hubert de Givenchy, and features exceptional works of art that they collected together. Estimated at between 4 and 6 million euros, this cross-category collection of nearly 270 lots includes masterpieces by the greatest Parisian cabinetmakers of the 18th century, combined with major artists of the 20th century, such as François-Xavier and Claude Lalanne.

Freeman s to offer an important private collection of sculptures by François-Xavier Lalanne

Freeman s to offer an important private collection of sculptures by François-Xavier Lalanne The flock of five epoxy stone and patinated bronze sheep represent what is arguably the artist’s most recognizable design. PHILADELPHIA, PA .-Freeman’s will present for the first time at auction a private collection of seven sculptures by celebrated artist François-Xavier Lalanne in its November 17 Modern and Contemporary Art auction. Anchored by a set of five of Lalanne’s iconic epoxy stone and bronze sheep, or “Mouton de Pierre,” each sculpture in the collection was acquired directly from the artist in the late 1980s and has remained in the same home ever since. The collection, coming from a prominent Washington, D.C. family, includes five “Mouton de Pierre” of consecutive numbers from a 1988 edition of 250 (estimate: $100,000-150,000 ea.), a patinated bronze “Rhinocéros III” (estimate: $60,000-80,000), and a patinated bronze “Éléphant” (estimate: $40,000-60,000).

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Claudia Carr Levy NEW YORK, NY .- Upon first seeing Jason Stewart’s new work, I thought of Filippo Brunelleschi’s facade of the Ospedale degli Innocenti, the foundling hospital in Florence that he was commissioned to design in 1419. The arches of the hospital facade have always captivated me. Brunelleschi’s arches are perfect in their form and progression: perfect graceful architecture. Why, I wondered, did that architectural image appear as I looked at the series of paintings called “Shaping Color”? The precision of Jason Stewart’s arcs in their spaces on canvas resonate with Brunelleschi’s architecture. The paintings seem to transpose geometric architectural form into pictorial space. Perhaps this geometry would seem to belie the dominance and importance of color in these paintings. Yet color holds the arcs; the arcs hold color. The more one looks at these works, the more one observes the paradox between color and form. And the mo

Lalanne land at Versailles | Apollo Magazine

Lalanne land at Versailles | Apollo Magazine
apollo-magazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from apollo-magazine.com Daily Mail and Mail on Sunday newspapers.

The best art day trips you can take from Berlin, London and New York

The best art day trips you can take from Berlin, London and New York
theartnewspaper.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartnewspaper.com Daily Mail and Mail on Sunday newspapers.

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