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Basic Instinct a consacré le thriller érotique - et l a tué
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Watercolor Virtuoso Ole Aakjær Featured In Solo Museum Shows In China And Denmark Before Major New York Exhibition
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Last modified on Mon 19 Apr 2021 12.21 EDT
Natja Brunckhorst, played Christiane F
The director Uli Edel and his team came to my school. I was sitting there eating an apple. Uliâs assistant came up and said: âWeâre looking for girls for a film. Do you want to try out?â I said: âOK, since youâve asked me, Iâll come.â
They put makeup on me and dressed me up like a junkie. There were eight girls and we stood together in a row. The camera went from one girl to the next. Bernd Eichinger, the producer, told me years later that, when it came to me, everyone watching the audition in the screening room gasped. I looked too young, I was very shy, and my voice was low â but, they said, there was just something about my presence.
David Robb
, April 9th, 2021 08:56
Set in the grimy pre-unification Berlin of David Bowie, Lou Reed, Einsturzende Neubauten, Christiane F. is a stylish, low-budget tale of teen heroin addicts with a cult following – now at risk of being commodified into an idea rather than anything real, finds David Robb
Few places have been mythologised in the contemporary cultural imagination more than late 1970s / early 1980s Berlin. With German society in a state of flux, and post-war economic deprivation leading to cheap rents and vast swathes of abandoned industrial space, the western part of the capital proved an ideal breeding ground for all kinds of exciting counter-cultural developments. Before the Wall fell in 1989 ahead of the eventual reunification of the country, the city served as an artistic refuge for the likes of David Bowie, Lou Reed, and Nick Cave, as well as producing such iconic homegrown talents as Einsturzende Neubauten and Tangerine Dream.
Sous le poirier, la mort (Arte) : une histoire vraie pour le complot meurtrier avec Fritz Karl et Julia Koschitz ?
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