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Global Biophotonics Market Trends, Strategies, And Opportunities In The Biophotonics Market 2021-2030

Biophotonics Global Market Report 2021: COVID-19 Growth And Change To 2030 The Business Research Company’s Biophotonics Global Market Report 2021: COVID-19 Growth And Change To 2030 LONDON, GREATER LONDON, UK, May 12, 2021 /EINPresswire.com/ According to the new market research report ‘Biophotonics Global Market Report 2021: COVID-19 Growth And Change To 2030’ published by The Business Research Company, the global biophotonics market is expected to grow from $41.76 billion in 2020 to $45.67 billion in 2021 at a compound annual growth rate (CAGR) of 9.4%. The growth is mainly due to companies resuming their operations and adapting to the new normal while recovering from the COVID-19 impact, which had earlier led to restrictive containment measures involving social distancing, remote working, and the closure of commercial activities that resulted in operational challenges. The biophotonics market is expected to reach $63.04 billion in 2025 at a CAGR of 8%. The increasing dema

Nam Contact: Symphonic coda to Tim Page s Vietnam

April 16, 2021 Until quite recently, revered British photojournalist, Tim Page, had barely bothered to survey his Vietnam War archive – a collection of photos that caused numerous injuries and close brushes with death. The opening pages of Tim Page’s Vietnam compendium, Nam Contact, shows a portrait of Tim captured by Stephen Dupont in 2012. There could have been a trauma-related motive for Tim to avoid his pictorial memories of war. But it simply boiled down to there not being a damn good enough reason to re-visit the old times. ‘For me, it’s like I’ve been there and done that, and it’s over. Bye bye. No more Vietnam,’ Tim told

Film Fridays: Nikkor 20mm F3 5 - taming the ultra-wide and defining a style

Can a single piece of gear define one s photographic style? For Fernando Martins, the answer is yes. A born-again film shooter, Fernando picked the hobby back up in 2011 and immediately began documenting his then-hometown of Lisbon, Portugal. Fernando primarily works with a Nikon 20mm F3.5 lens, which is wider than the focal lengths employed by most street shooters. But he leans into the lens unique characteristics brilliantly, producing beautiful and haunting images. Follow along as he takes you on a journey through European cities, as he learns to work in harmony with his gear and conquer the ultra-wide.

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