We begin the movie by following a tattoo-spangled man as he makes his way through a carnival crowd, arriving in a tent containing a few hundred cheering fans and a globe-shaped metal cage. This audacious, extended tracking shot will be familiar to fans of Martin Scorsese (and before that, Orson Welles), and it immediately tells us we are about to experience of film of considerable ambition. You don't even try to make a play like that unless you have confidence in your creative arsenal.
Τζεφ Μπέζος: Γιατί επέλεξε αυτούς τους συνταξιδιώτες για την πτήση στο Διάστημα
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