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The future of sculpture includes the unseeable , says McClelland Gallery head

The future of sculpture includes the ‘unseeable’, says McClelland Gallery head We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size Inge King’s Island Sculpture (1991), a three-metre-high creation made from steel, sits on the edge of a lake in the grounds of McClelland Sculpture Park and Gallery. It represents what we traditionally define as sculpture: solid, three-dimensional, imposing. But as the Park turns 50, it doesn’t want to be tied to tradition. Sculpture can be so much more; the medium has evolved dramatically to take in soundscapes, light installations, photography and video.

The future of sculpture includes the unseeable , says McClelland Gallery head

The future of sculpture includes the unseeable , says McClelland Gallery head
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New exhibition draws from the past - Bayside News

New exhibition draws from the past Share For its 50-year anniversary, exhibitions of works drawn from the gallery’s collection will be displayed. The McClelland Collection: 50 Years of Spatial Practice will feature work from Augustine Dall’Ava, Richard Giblett, Stephen Haley, Inge King, Janet Laurence, Akio Makigawa, Fiona McMonagle, Sanné Mestrom, Ron Mueck, Patricia Piccinini, Ken Reinhard, Tim Silver, Kylie Stillman, Colin Suggett, Simon Terrill, George Tjungarrayi, and Lisa Waup. McClelland director Lisa Byrne said “the exhibition works were chosen from more than 2,600 works collected over the gallery’s 50-year history.” “Throughout our 50-year history, McClelland has welcomed between 120,000 and 300,000 visitors each year to the Park and Gallery. This 50-year celebration exhibition will encapsulate all the elements which have made McClelland such an enduringly attractive destination for our visitors and friends,” she said.

Brush-ups revive tollway s artworks - Bayside NewsBayside News

Brush-ups revive tollway s artworks - Bayside NewsBayside News
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Brush-ups revive tollway s artworks

Brush-ups revive tollway’s artworks Public Art Strategy is adjacent to EastLink southbound just before the Dandenong Bypass interchange. THREE of the most recognisable artworks along the 39 kilometres of the EastLink tollway have been renovated and restored. The collection of public artworks includes 12 artworks along the tollway and shared use path. EastLink says the artworks set among 480 hectares of landscaping are “arguably [form] Australia’s largest sculpture park”. “EastLink’s much-loved art collection cost $5 million when the artworks were commissioned and acquired shortly before EastLink opened in 2008, so it’s important they are maintained properly,” The company’s corporate affairs manager Doug Spencer-Roy said.

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