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The makers of the autism advocacy doc “The Reason I Jump” often struggle with a challenge that every documentary filmmaker (or film journalist) implicitly accepts whenever they set out to translate other artists’ work: recreate as much of the original work’s personality in their own adaptation. You have to “paint a picture,” to borrow a phrase from former
Village Voice film editor (and current friend) Alan Scherstuhl: describe events or concepts with enough details so that your audience can independently reach the same emotional or intellectual conclusions based on what you’re showing them. Unfortunately, the movie version of “The Reason I Jump” provides general and therefore only ostensibly universal concepts found in the book