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Irish Cup officials are from right, Andrew Nethery, Andrew Davey, Jamie Robinson, Adam Jeffrey and Jamie Cairnduff.
Local pair run the line in Irish Cup Final Posted: 8:38 am May 28, 2021
By Tommy Nethery
APART from Matty Clarke playing for Linfield and Andy Scott being named among the Larne substitutes one could be forgiven for thinking that there was little local interest in the Sadlers Peaky Blinders Irish Cup Final played at Mourneview Park on Friday evening.
But that assumption is well off the mark given that the two men running the line were both Fermanagh and Western Referees’ Association memnbers.
Tammi Gissell and ensemble conducted by Roland Peelman. Photo: Peter Hislop.
Canberra International Music Festival / Concert 21, “Rainbow Serpent”, James O Fairfax Theatre, National Gallery Of Australia, May 9. Reviewed by
LEN POWER.
THE myths of the Rainbow Serpent have cultural significance around the world.
Its meaning can differ greatly between indigenous peoples so it was appropriate that this concert entitled “Rainbow Serpent” should have a variety of elements.
After singing a tentative version of “Advance Australia Fair” called “Anthem Combined”, the first performer, Joe Geia, an influential singer/songwriter in the development of contemporary indigenous music, hit his stride with three of his own songs.
Canberra International Music Festival, Concert 17,
“Waltz to Tango”, at the Fitters’ Workshop, May 7. Reviewed by LEN POWER
THE waltz of 18th century Vienna and the “nuevo tango” of Argentina seem at first glance to be worlds apart.
The waltz was popular in Europe but social unrest in the 19th century resulted in emigration to the Americas. With a melting pot of musical influences, imported and local, new musical genres arose.
By the end of the 19th century, the tango was gaining in popularity in Argentina. In the early 20th century, Astor Piazzolla, who earned his living playing in tango clubs, introduced classical and jazz elements, creating a new repertoire known as “nuevo tango”.